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  • EXCLUSIVE REVIEW


    ■ HOME || PERCEPTION · REPLAY · TRENDY · WORLD ART GALLERY | NEWS | ISSUE

    pomoflo-blog:

    CILDO MEIRELES
    Insertions into Ideological Circuits: Coca-Cola Project, 1970
    3 glass bottles,3 metal caps, liquid and adhesive labels with text


    Meireles conceived his two Insertions into Ideological Circuits projects for an exhibition of conceptual art held at The Museum of Modern Art, New York in 1970 entitled Information. The Coca-Cola Project and theCédula or Banknote Project (see Tate T12512-38) explore the notion of circulation and exchange of goods, wealth and information as manifestations of the dominant ideology. For the Coca-Cola Project Meireles removed Coca-Cola bottles from normal circulation and modified them by adding critical political statements, or instructions for turning the bottle into a Molotov cocktail, before returning them to the circuit of exchange. On the bottles, such messages as ‘Yankees Go Home’ are followed by the work’s title and the artist’s statement of purpose: ‘To register informations and critical opinions on bottles and return them to circulation’. The Coca-Cola bottle is an everyday object of mass circulation; in 1970 in Brazil it was a symbol of US imperialism and it has become, globally, a symbol of capitalist consumerism… (read more)

    thehardt:

    The vibes are right here at Damushan Valley Teahouse (2015) by DnA located in Songyang Damushan Tea Valley, Lishui, Zhejiang, China. The tea gardens in the Damushan area of Songyang are situated in a hilly landscape before the backdrop of imposing mountains. The tea plantations extend over the ridges of the hills in smooth sweeps and have shaped the landscape space with their linearly planted bushes for centuries. Photos by © @wangziling_artist Ziling Wang. Slide thru TheHardt.com to check the rest of this gem. Link. Bio. Click. #tea #teatime #china #chinese #view #lake #lighting #shadow #window (at Songyang)
    https://www.instagram.com/p/BsY3ECKF2Wk/?utm_source=ig_tumblr_share&igshid=gjp8121ce2np

    djohnhopper:

    INSPIRATIONAL 22: the artists

    This week Inspirational - the international contemporary visual arts magazine - will be unveiling the feature artists for the next issue of the magazine (release date: January 29).

    The collage/photomontage artist Graeme Jukes is interviewed in depth about his work, about his fascination with the Dada movement, his struggles with social media censorship, and where he is heading in 2019. 

    All that and more in the next issue of Inspirational.

    Take out a monthly subscription to Inspirational and have each virtual issue sent to you direct. Just follow the link: https://payhip.com/b/MNp6

    Inspirational - supporting the visual arts

    (via skin-of-the-moon)

    brooklynmuseum:

    The technological and scientific advances of the 1960s and 70s inspired many of the artists of Soul of a Nation to manipulate the surface of the canvas and break away from the confined boundaries of how art could be presented and experienced. Fred Eversley drew from his experience as an aerospace engineer to create cut and polished resin sculptures, inspired by the prospect of astronauts landing on the moon. 

    Posted by Emoni Baraka
    Installation view of Fred Eversley’s Untitled (1972) in Soul of a Nation: Art in the Age of Black Power Brooklyn Museum, September 14, 2018–February 3, 2019. Photo: Jonathan Dorado

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    historical-nonfiction:

    The skeleton dance is a sacred Tibetan dance ritual, from Himalayan Buddhist traditions. It reflects how everything is transitory including one’s body. The monk pictured in the above photo seems to be performing the dance known as Durdak Garcham, or “Dance of the Lords of the Cemetery.” Durdak Garcham celebrates the liberation that comes from acceptance of our impermanence.

    Taken in 1925, these photographs were published in National Geographic in its November 1928 issue.

    hackr

    “I believe in new ideas, in progress. It’s faith. I’ve recently been thinking about faith. If you’re a religious person, which I’m not, you believe God created the universe. That’s why it works, and you’re trying to understand God’s works. There are many scientists who work in that framework. Scientists, outside of religion, have their own faith. They believe the universe is rational. They’re trying to find the laws of nature. But why are there laws? That’s the article of faith for scientists. It’s not rational. It’s useful. It’s practical. There’s evidence in its favor: The sun does rise every day. But nevertheless, at the end of the day, it’s an article of faith.”

    Michael Atiyah

    [From his obituary in The New York Times: Michael Atiyah, Mathematician in Newton’s Footsteps, Dies at 89]

    image

    RIP

    Some readings:

    - Obituary in the Institute for Advanced Study (IAS): Sir Michael Atiyah, Celebrated Mathematician, Dies at 89

    - 2016 interview (Quanta Magazine): Michael Atiyah’s Imaginative State of Mind

    - Discussion about heuristic ideas in mathematics (h/t TRF): Responses To “Theoretical Mathematics: Toward A Cultural Synthesis Of Mathematics And
    Theoretical Physics”
    , By A. Jaffe And F. Quinn (arXiv, PDF)